An overture of not so innocent magnolia underscored with a sly caress of Queen of the Night, a fulsomeness of nubile black grapes and plums, skin musk bathed in spilled cognac, and ruthless twist of bitter orange, blended with an ancient Arabian love philtre of crushed vanilla and tonka bean, sandalwood, vetiver, cedar, and red oud.
In 1891, after a wintery Paris evening discussing the legend of Salome, Oscar Wilde locked himself in his room with a blank notebook and began writing his legendary play Salomé. A few hours later, with much of the text already written, he went out to a nearby café and, needing inspiration, asked the leader of the orchestra to play some music which might evoke "a woman dancing in her bare feet in the blood of a man she has craved for and slain." If the notes of this lost melody were perfume...
Contains a proprietary elixir of botanical pheromones designed to enhance female sex appeal.
Art: Dance of the Seven Veils by Gaston Bussière, 1925
An overture of not so innocent magnolia underscored with a sly caress of Queen of the Night, a fulsomeness of nubile black grapes and plums, skin musk bathed in spilled cognac, and ruthless twist of bitter orange, blended with an ancient Arabian love philtre of crushed vanilla and tonka bean, sandalwood, vetiver, cedar, and red oud.
In 1891, after a wintery Paris evening discussing the legend of Salome, Oscar Wilde locked himself in his room with a blank notebook and began writing his legendary play Salomé. A few hours later, with much of the text already written, he went out to a nearby café and, needing inspiration, asked the leader of the orchestra to play some music which might evoke "a woman dancing in her bare feet in the blood of a man she has craved for and slain." If the notes of this lost melody were perfume...
Contains a proprietary elixir of botanical pheromones designed to enhance female sex appeal.
Art: Dance of the Seven Veils by Gaston Bussière, 1925